Luxury, craftsmanship, elegance and irony features in “Dand(a)y & Night”, the Fall/Winter 2014-2015 collection by shoe designer Alberto Moretti, recently presented in Milan, joining new-dandy shapes, materials as velvet, material which is embodied in fun and refined slippers and ankle boots, overlapped to unusual details – metal appliqués and jewelry decorations – under the sign of nice rock suggestions.
IL NEO-DANDYISMO DI “DAND(A)Y & NIGHT” DI ALBERTO MORETTI
Alberto Moretti Fall/Winter 2014-2015, photo by N
Lusso, artigianalità, eleganza e ironia è protagonista di “Dand(a)y & Night”, la collezione autunno/inverno 2014-2015 del designer di calzature Alberto Moretti, recentemente presentata a Milano che unisce forme neo-dandy, materiali quali velluto che è racchiuso in divertenti e raffinate slippers ed ankle boots, sovrapposto a insoliti dettagli – applicazioni metalliche e decori gioiello – all’ insegna di simpatiche suggestioni rock.
Alberto Moretti Fall/Winter 2014-2015, photo by NCesare Cunaccia and a Godfrey Deeny ( the journalist and peripatetic fashionista of Imagine Fashion) , photo by NEmiliano Rinaldi and Angelos Bratis, photo by N
The right side of the moon”, name of Fall/Winter 2014-2015 menswear collection by the brilliant fashion designer Fabio Quaranta, reminded me another side of the mood, the dark side and the cult concept album by Pink Floyd, “The right side of the moon”, which has presented in Milan. Minimalism, an existentialist charm, fluid lines, dark colors – blue and black -,the fine research of cloths and lines that is a leitmotiv of Fabio’s work, emphasized by a suggestive installation which made me think about the “Iuav style”, the fashion of Fashion Design Faculty of Iuav University of Venice to set up the exhibitions it made as well as “Linen Yarn”, exhibition curated by Fabio Quaranta for Iuav (Fabio teaches at Iuav University of Venice, a smashing public fashion school I appreciate).
“THE RIGHT SIDE OF THE MOON”, L’ ELEGANZA MASCHILE ESISTENZIALISTA DI FABIO QUARANTA
Fabio Quaranta Fall/Winter 2014-2015, photo by N
“The right side of the moon”, nome della collezione uomo autunno/inverno 2014-2015 del brillante fashion designer Fabio Quaranta, mi ha ricordato un’ altro lato della luna, il dark side e il concept album di culto dei Pink Floyd, “The right side of the moon” che è stata presentata a Milano. Minimalismo, un fascino esistenzialista, linee fluide, colori scuri – blu e nero -, la raffinata ricerca di tessuti e linee, leitmotiv dell’ opera di Fabio sono le alchimie della collezione, enfatizzate da una suggestiva installazione che mi ha fatto pensare allo “ stile Iuav”, la modalità della Facoltà di Fashion Design dell’ Università Iuav di Venezia di allestile le mostre come anche a “Linen Yarn”, la mostra curata da Fabio Quaranta per la Iuav (Fabio insegna presso l’ Università Iuav di Venezia, una formidabile scuola pubblica di moda che apprezzo).
Fabio Quaranta Fall/Winter 2014-2015, photo by NFabio Quaranta Fall/Winter 2014-2015, photo by NFabio Quaranta and Cesare Cunaccia, photo by NArthur Arbesser and me, photo by N
Cesare Cunaccia, photo by Mustafa Sabbagh, sofa T. Buzi, pillow made of embroidered silk from ‘700 coming from an Austrian court dress, velvet jacket Atelier Santerasmo Cinque, tuxedo pants Ralph Lauren, slippers made of embroidered mat silk satin Louis Leeman, hand-painted mask in tôle, shirt Turnbull & Asser
It featured during the latest edition of fashion tradeshow event White, which was held in Milan at Superstudio “Shades of a gentleman”, the exhibition project I ideated and curated which joined art and fashion: the art of brilliant artist Mustafa Sabbagh, the intense, rarefied, atmospheres he depicted on photo to tell about the elegance of gentleman as lifestyle, the one of a gentleman, the iconic and brilliant Cesare Cunaccia. The renowned editor at large ofVogue Italia and L’ Uomo Vogue, eclectic individual, unique, incisive, refined and above the lines personality also featured as designer of the object which ideally represents him: the glasses, exclusive product made of natural horn by the optic gallery Boudoir Venice by Alessandro De Lorenzo. A little masterpiece of craftsmanship which is a luxury product, produced by the Veneto company Farben 1962 from Laggio di Cadore, embodying high-end materials, having a catchy packaging, a little hood box containing a case made of a wool personally chosen by Cunaccia and a sophisticated design making concrete the Brummelian paradigm “Less is more”. The eyewear collection has showcased along with the creations and cloths by the MilanAlessandro Leonardi’s Atelier Santerasmo Cinque and shoes by Santoni, that depicted what is elusive, the male elegance, sartorialism – embodied in the unique creations byAtelier Santerasmo Cinque, Isaia and shoes by Louis Leeman along with the other refined objects and accessories coming from Cesare Cunaccia’s wardrobe – and its details under the sign of lyricism and timelessness. An intimistic tale, lights and shadows make concrete a vibrant dialogue between art and fashion and talk about a today story which is always a mistery, the male elegance.
“SHADES OF A GENTLEMAN”: ARTE E MODA RACCONTANO L’ ELEGANZA MASCHILE
Cesare Cunaccia, photo by Mustafa Sabbagh, old English coffee cup “Willow Pattern”, cufflinks casted by Cesare Cunaccia by using antique Tibet notches coming from a ritual bat shaped -symbol of eternity made of imperial jade, glasses Cesare Cunaccia for Boudoir, Pinstripe suit Isaia, shirt Atelier Santerasmo Cinque, poster bed silk upholstered Rubelli “Princess Kocacin”, sheets Pratesi
É stato protagonista dell’ ultima edizione dell’ evento fieristico di moda White, che si è tenuto a Milano presso Superstudio, “Shades of a gentleman”, il progetto espositivo da me ideato e curato che ha unito arte e moda: l’ arte del brillante artista Mustafa Sabbagh, le intense, rarefatte atmosfere da lui catturate su foto che raccontano l’ eleganza del gentleman come stile di vita e quella di un gentleman, l’ iconico e brillante Cesare Cunaccia. Il rinomato editor at large ofVogue Italia e L’ Uomo Vogue, eclettica individualità, unica, incisiva, raffinata personalità sopra le righe, è apparso anche nelle vesti di designer dell’ oggetto che idealmente lo rappresenta: gli occhiali, prodotto esclusivo realizzato in corno naturale dalla galleria ottica di Venezia Boudoir di Alessandro De Lorenzo. Un piccolo capolavoro di artigianalità, prodotto dall’ azienda Veneta Farben 1962 di Laggio di Cadore che racchiude in sé materiali di alta qualità, ha un packaging accattivante, una piccola scatola di legno che contiene un astuccio di lana, scelta personalmente da Cunaccia e un sofisticato design che concretizza felicemente il paradigma Brummeliano “Less is more”. La collezione di occhiali è stata esposta unitamente alle creazioni ed ai tessuti dell’ Atelier Santerasmo Cinque di Milano diAlessandro Leonardi e le calzature di Santoni che hanno ritratto l’ inafferrabile, l’ eleganza maschile, la sartorialità – racchiusa nelle creazioni uniche di Atelier Santerasmo Cinque, Isaia e le calzature di Louis Leeman insieme ad altri raffinati oggetti e accessori provenienti dal guardaroba di Cesare Cunaccia – ed i suoi dettagli all’ insegna di lirismo e atemporalità. Un racconto intimistico, luci e ombre che concretizzano un vibrante dialogo tra arte e moda e parlano di una storia di oggi che è un mistero di sempre, l’ eleganza maschile.
Cesare Cunaccia, photo by Mustafa Sabbagh, old English coffee cup “Willow Pattern”, cufflinks casted by Cesare Cunaccia by using antique Tibet notches coming from a ritual bat shaped -symbol of eternity made of imperial jade, Pinstripe suit Isaia, shirt Atelier Santerasmo CinqueCesare Cunaccia, photo by Mustafa Sabbagh, old English coffee cup “Willow Pattern”, cufflinks casted by Cesare Cunaccia by using antique Tibet notches coming from a ritual bat shaped -symbol of eternity made of imperial jade, glasses Cesare Cunaccia for Boudoir, Pinstripe suit Isaia, shirt Atelier Santerasmo Cinque, poster bed silk upholstered Rubelli “Princess Kocacin”, sheets PratesiCesare Cunaccia, photo by Mustafa Sabbagh, Pinstripe suit Isaia, slippers Max Kibardin, poster bed silk upholstered Rubelli “Princess Kocacin”, sheets Pratesiphoto by Mustafa Sabbagh, collection of sketches, sculptures, photographs, little painting, some of them belonging to his family from different ages there are in the bedroom, thought as a collectable cabinet.photo by Mustafa Sabbagh, photo by Milton Gendel (from Seventies), Lord Lambton and his family at the Cetinale(Siena) villa Chigi set behind the door of Cesare Cunaccia’s vestiairephoto by Mustafa Sabbagh, plaster mask from an original work coming from the Classic agephoto by Mustafa Sabbagh, Canovaean plaster sculpture representing a lion, a branch of natural black coralphoto by Mustafa Sabbagh, sculpture in biscuit porcelain, from the middle 19th century, manufacture by Ninphenburg depicting the prince Albert von Sachsen-Coburg und Gotha placed behind one of the many bookcases of Cesare Cunaccia’s home • photo by Mustafa Sabbagh, big plaster head from the Ercole Farnese in the studio of Cesare Cunaccia, huge Hellenistic sculpture of Lysippos’ fashion kept at the Napoli Archeological Museumphoto by Mustafa Sabbagh, skull shaped terracotta sculpture, with the Christ made of hood, by Alessandro Flaminio(Napoli)photo by Mustafa Sabbagh, hat Rubinacci, natural horn glasses custom made by Cesare Cunaccia for Venice Boudoir, gilet Atelier Santerasmo Cinque, crocodile i-pad case Santoni, Lopez loafers Santoni, little Gandhara sculpture made of stucco III secolo A. D., vintage cufflinks in ruby and gold designed by Beppe Modenese for Faraone, hand-painted tôle mask.photo by Mustafa Sabbagh, red Amaryllis in a bronze vase by Gabriella Crespi (early Seventies), Tibet Buddha in golden bronze foil from the 15th century, Greek apotropaic eyeCesare Cunaccia, photo by Mustafa Sabbagh, loden Habsburg cape, pinstripe suit Isaia, shirt Bagutta, custome made natural horn glassed by Cesare Cunaccia for Venice Boudoirphoto by Mustafa Sabbagh, Chinese vase from the Qing dinasty, Neo-classsic bronze sculpture depicting Homer (France, early 17th century), brut iron table design RM57Cesare Cunaccia, photo by Mustafa Sabbagh, armchair Louis 14th with crimson silk brocade housse back of the portrait on a Middle-European forefather from the 18th century, blazer Atelier Santerasmo Cinque made of English vintage cloth from Cilento(Napoli), shirt and scarf Charvet (Paris), natural horn custom made glasses by Cesare Cunaccia for Boudoir
Me, myself and I at the opening cocktail of “Shades of a gentleman”, photo by Alessandro De LorenzoThe natural horn glasses custom made by Cesare Cunaccia for Boudoir along with objects talking about Cunaccia, photo by NCesare Cunaccia visiting the exhibition project and me, photo by Alessandro De LorenzoThe photos by Mustafa Sabbagh on show, photo by Nthe photographs by Mustafa Sabbagh on show, photo by NThe sartorial showcase featuring the creations by Atelier Santerasmo Cinque, Santoni, Isaia, Louis Leeman, photo by NThe scarves and hats coming from the Cesare Cunaccia’s wardrobe along with the clothes by Atelier Santerasmo Cinque, photo by NA circle of friends: Alessandro De Lorenzo(Boudoir), me, Max Nicoloro(Atelier Santerasmo Cinque) and Vincent Law, photo by Anna PorcuAlessandro De Lorenzo(Boudoir), me, Max Nicoloro(Atelier Santerasmo Cinque), Anna Porcu and her friend, photo by Vincent LawAlessandro De Lorenzo(Boudoir), me and Max Nicoloro(Atelier Santerasmo Cinque), photo by Vincent LawA beautiful surprise, from Vienna to Milan: to see Helga Ruthner ( Wendy & Jim) at White, photo by Alessandro De LorenzoLuna Lanzara and me, photo by NGiorgiana Ravizza and me, photo by NVincent Law, the editor of smashing blog Binzento Vincente and me, photo by Alessandro De LorenzoThe brilliant jewerly designer Anna Porcu ( today it’s her birthday, thus I wish her happy birthday! )wearing a necklace she made and me, photo by NAndy and me, while Matteo Bonelli, in the back is visiting the exhibition project, photo by Alessandro De LorenzoThe journalist Maria Elena Capitanio visiting the exhibition project, photo by NAlberto Guardiani and me, photo by NAlessandro De Lorenzo(Boudoir), me and Federico Bosisio, photo by NMe, Giovanni Ottonello and Alessandro De Lorenzo(Boudoir), photo by Vincent LawThe one and only Roberta Valentini( Penelope Brescia) and me, photo by Alessandro De Lorenzo
It will be debut on 11th December 2013 at 9:10 pm on the Italian TV channel La5Fashion style, the first fashion talent show made in Italy, featuring the actress Chiara Francini as anchor woman and will include a jury composed by the brilliant and renowned fashion, costume and design journalist (editor at large di Vogue Italia and L’ Uomo Vogue) Cesare Cunaccia, the nice Alessia Marcuzzi, TV persona and editor of blog La Pinella and the TV journalist Silvia Toffanin along with a guest star. The talent show is made of eight episodes where four teams including four creatives (hair stylists, make-up artists, models, fashion designers) will compete to get the prize which will be a working opportunity. Every episode of show will include a guest-star and the first one will be Barbara Franchin, the creator of celebrated talent-scouting award International Talent Support(ITS). A not to be missed event to enjoy emerging creatives.
MODA & CREATIVITÀ EMERGENTE IN TV: FASHION STYLE IL PRIMO FASHION TALENT SHOW MADE IN ITALY
Silvia Toffanin, Cesare Cunaccia and Alessia Marcuzzi, photo courtesy of Alessia Marcuzzi
Debutterà l’ 11 dicembre 2013 alle ore 21:10 sulla rete televisiva italiana La5, Fashion style, il primo fashion talent show made in Italy, di cui sarà protagonista l’ attrice Chiara Francini nelle vesti di conduttrice e includerà una giuria composta dal brillante e rinomato giornalista di moda, costume e design (editor at large di Vogue Italia and L’ Uomo Vogue) Cesare Cunaccia, la simpatica Alessia Marcuzzi, personaggio televisivo ed editor del blog La Pinellae la giornalista televisiva Silvia Toffanin unitamente a una guest-star. Il talent show è fatto di otto episodi in cui quattro squadre che comprendono quattro creativi (hair stylists, make-up artists, modelle, fashion designers) gareggeranno per ottenere il premio che sarà una opportunità di lavoro. Ogni puntata includerà una guest-star e la prima sarà Barbara Franchin, creatrice del celebre talent-scouting award International Talent Support (ITS). Un evento imperdibile per apprezzare creativi emergenti.
Chiara Francini as testimonial of Dolce & Gabbana menswear Spring/Summer 2012 collection, photo by Mariano VivancoBarbara Franchin, photo courtesy of ITS
Sergio Zambon, creative director of legendary fashion house Galitzine, depicted an urban princess and reinterprets in a modern and innovative way the traditional patterns of work by Irene Galitzine in the Spring/Summer 2014 collection he made. The iconic pyjama suit is one of the main features of collection along with catchy dresses, short skirts and jackets resulting from a detailed work of construction and experimentation. The Sangallo cotton gets a paper effect , silk has decorated by fun and delicate appliqués. Other sophisticated details joins to a urban femininity, dressed up with irony. That refined irony which is part of the creative, its work and it is impressed in the print of the slogan, “princess”, decorating dresses, shirts, accessories and talks about a refined, self-confident and free woman who lives in contemporary times and winks at the same time to the Sixties suggestions. Black, white, light colors, orange and a smashing print depicting a heritage of brand, the makeup collection, created yesterday by the Georgian princess, enriches the collection including also little, big masterpieces of craftsmanship, the enchanting metal bags.
ELEGANZA & MODERNITÀ:LA PRINCIPESSA URBAN DI GALITZINE
Galitzine Spring/Summer 2014
Sergio Zambon, direttore creativo della leggendaria casa di moda Galitzine, dipinge una principessa urban e reintepreta in modo moderno e innovativo tradizionali motivi dell’ opera di Irene Galitzine nella collezione primavera/estate da lui realizzata. L’ iconico pigiama palazzo è uno dei principali protagonisti della collezione insieme ad accattivanti abiti, gonne corte e giacche che sono il risultato di una minuzioso lavoro di costruzione e sperimentazione. Il cotone Sangallo acquisisce un effetto carta, la seta è decorata da divertenti e delicate appliqués. Altri sofisticati dettagli si uniscono a una femminilità urban, condita da ironia. Quella fine ironia che è parte del creativo, del suo lavoro ed è impressa nello slogan “princess” che decora abiti, maglie, accessori e parla di una donna libera e sicura di sé che vive nella contemporaneità e al tempo stesso strizza l’ occhio al passato, alle suggestioni degli anni Sessanta. Nero, bianco, colori tenui, arancio e una formidabile stampa che rappresenta un heritage del brand, la linea di makeup, creata ieri dalla principessa georgiana, arricchisce la collezione che include anche piccoli, grandi capolavori di artigianalità, le borse di metallo.
“Holy and profane” by Ira von Fürstenberg, the catalogue curated by Caterina Napoleone
“Holy and profane” is the theme of collection of items made of rock crystal, gems and marble, created by the iconic socialite Ira von Fürstenberg – famous jet-setter who has been muse of Cecil Beaton and Irvin Penn and collaborated with renowned haute couture fashion houses – and recently presented in the suggestive rooms of the Milan Palazzo Valsecchi. “All of the holy contains the profane and vice versa”, thus Ira asserts, talking about the idea being behind the works she made. A smashing combinations of patterns coming from the religious traditions. The past experience overlaps with present. Totemic patterns as skulls, snakes, crosses and hearts join, giving rise to catchy creations: chandeliers, vases, bowls, cups. Little big sculptures, artworks telling about story, culture, embodying baroque suggestions, the sense and taste of splendor.
IL SACRO & PROFANO DI IRA VON FÜRSTENBERG A PALAZZO VALSECCHI DI MILANO
Ira von Fürstenberg, photo by Rita Paesani
“Sacro e profano” è il tema della collezione di oggetti realizzati in cristallo di rocca, pietre preziose e marmi, creati dalla iconica socialite Ira von Fürstenberg – famosa jet-setter che è stata la musa di Cecil Beaton, Irvin Penn e ha collaborato con rinomate case di alta moda – e recentemente presentato nelle suggestive stanze del Palazzo Valsecchi di Milano. “Tutto il sacro contiene il profane e viceversa”, così afferma Ira, parlando dell’ idea che sta dietro alle opere da lei realizzate. Una formidabile combinazione di motivi provenienti dalle tradizioni religiose. L’ esperienza del passato si sovrappone al presente. Totemici, motivi quali teschi, serpenti, croci e cuori si uniscono, dando vita ad accattivanti creazioni: candelabri, vasi, coppe, tazze. Piccole, grandi sculture, opere d’ arte che parlano di storia, cultura, racchiudono barocche suggestioni e il senso, il gusto dello sfarzo.
Palazzo ValsecchiPalazzo ValsecchiIra von FürstenbergIra von FürstenbergIra von FürstenbergIra von FürstenbergIra von FürstenbergIra von FürstenbergIra von FürstenbergIra von FürstenbergIra von FürstenbergIra von FürstenbergA details of furniture being at Palazzo ValsecchiA detail of furniture being at Palazzo ValsecchiCesare Cunaccia and Emanuella PisettiEverything is illuminated: the splendor of Marisela Federici’ s smile
LodenTal Spring/Summer 2014 collection, the series featuring fabrics made by Allegra Hicks, photo by Giorgio Miserendino
The loden, classic, precious cloth from Central Europe becomes modern and versatile. This is the paradigm, successfully made concrete by the brand LodenTal, created by the brilliant fashion designer Andrea Provvidenza. The brand recently presented the Spring/Summer collection 2014 in the special area of Milan fashion tradeshow event White Suite at N-how Hotel. The womenswear is enriched by a series of outerwear of whose cloth or rather its prints have made by the celebrated British designer Allegra Hicks. It shines the enchanting interpretation of loden, made by using of the lightest yarn of precious wool, giving rise to garments that are a perfect substitute of raincoat, being the loden water resistant. The raincoats are the new element of collections by LodenTal being under the sign of a contemporary elegance. A mood emphasized by a palette of colors including bright shades of pink, green along with ice white and grey for womenswear, blue, grey and awesome nuance of yellow for menswear. High-end quality, refined lines enriched by two-colored patterns and details paying homage to the best tradition of Made in Italy are the main features of collection. Genuine passé-partout having an added value: to join the quality of a sartorial product to a catchy price.
MILAN WHITE SUITE: LA MODERNA VERSATILITÀ OF LODEN & LE ALTRE MERAVIGLIE DI LODENTAL
LodenTal Spring/Summer 2014 womenswear collection, the series made by teaming with Allegra Hicks, photo by N
Il loden, classico, prezioso tessuto della Mitteleuropa diventa moderno e versatile. Questo il paradigma felicemente concretizzato dal marchio LodenTal, creato dal brillante fashion designer Andrea Provvidenza. Il brand ha recentemente presentato la collezione primavera/estate 2014 nella special area dell’ evento fieristico di moda di MilanoWhite Suite al N-how Hotel. L’ abbigliamento donna, arricchita una serie di capi spalla il cui tessuto o meglio le sue stampe sono state realizzate dalla celebre designerAllegra Hicks. Splende l’ incantevole interpretazione del loden, realizzato avvalendosi del filato più sottile di loden che dà vita a capi che sono una formidabile alternativa all’ impermeabile, essendo il loden resistente all’ acqua. Gli impermeabili sono il nuovo elemento delle collezioni di LodenTal all’ insegna di una eleganza contemporanea. Un mood enfatizzato da una palette di colori che include vivaci nuance di rosa, verde unitamente a ghiaccio e grigio per l’ abbigliamento donna, blu, grigio e una fantastica tonalità di giallo per l’ abbigliamento uomo. Alta qualità, linee raffinate, motivi bicolori e dettagli che rendono omaggio alla migliore tradizione del Made in Italy sono i principali protagonisti della collezione. Autentici passé-partout che hanno un valore aggiunto: unire la qualità di un prodotto sartoriale a un prezzo accattivante.
LodenTal Spring/Summer 2014 womenswear collection, featuring also the series made by teaming with Allegra Hicks, photo by NLodenTal Spring/Summer 2014 womenswear collection, the series made by teaming with Allegra Hicks, photo by Giorgio MiserendinoLodenTal Spring/Summer 2014 womenswear collection, the series made by teaming with Allegra Hicks, photo by Giorgio MiserendinoLodenTal Spring/Summer 2014 womenswear collection, photo by Giorgio MiserendinoAndrea Provvidenza talking with Cesare Cunaccia, photo by NLodenTal Spring/Summer 2014 menswear collection, photo by Giorgio MiserendinoLodenTal Spring/Summer menswear collection, photo by Giorgio MiserendinoLodenTal Spring/Summer 2014 menswear collection, photo by Giorgio MiserendinoAndrea Provvidenza, photo by N
Good vibrations, the energy of vibrant creatives embodied in the products they made featured in “Creativity from FBF to White”, project I ideated in collaboration with the Milan White fashion tradeshow event to support the creatives who are part of FBF’s world also outside the ether. The event was recently held in a special area of White Suite, placed in the Milan N-how Hotel in Via Tortona 35 where it was showcased the creations, clothing and accessories made by four creatives: Little Shilpa, Gianni Serra, Giuliana Mancinelli Bonafaccia and Lucilla Paci.
Little Shilpa and her husband, photo by N
The bright Indian milliner Little Shilpa presented for the first time in Italy the collection of hats, bow ties and jewelry, unique pieces she made successfully making concrete an open dialogue between West and East under the sign of surreal, art suggestions.
Little Shilpa, photo by Giorgio MiserendinoLittle Shilpa, photo by Giorgio MiserendinoLittle Shilpa, photo by NLittle Shilpa, photo by Giorgio Miserendino
Sartorialism, a sophisticated minimalism overlapping with the paradigms of constructivism, giving rise to a ready to wear collection where it shines a marvelous combination of leather, cloth and knit is the creative alchemy of Gianni Serra, bright fashion designer (winner of the Vogue Red Passion Talent Prize).
Gianni Serra, photo by Giorgio MiserendinoGianni Serra, photo by Giorgio Miserendino
Craftsmanship, an unusual, unique and avant-garde fashion to join materials as silver, gems, leather, carbon is the leitmotiv of “Jack in the Pulpit”, the new collection – inspired by the art of Georgia O’ Keefe – by the Rome talented jewel designer Giuliana Mancinelli Bonafaccia.
The jewlery by Giuliana Mancinelli Bonafaccia and the photographs by Marco D’ Amico presenting it, photo by Giorgio MiserendinoGiuliana Mancinelli Bonaffaccia, photo by Giorgio MiserendinoGiuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino
Architectural suggestions impressed in refined leather which turns into smashing, hand-made bags, collars and accessories by Lucilla Paci, being a smashing passé-partout.
Lucilla Paci, photo by Giorgio Miserendino
A successful starting experience arisen to concretely promote and showcase thr creativity, that concept oriented creativity, celebrated by this blog.
MILAN WHITE SUITE: “CREATIVITY FROM FBF TO WHITE”
White Suite, photo by N
Good vibrations, l’ energia di autentici creativi, racchiusa nei prodotti da loro realizzati è stata protagonista di “Creativity from FBF to White”, progetto da me ideato in collaborazione con l’ evento fieristico di moda milanese White per sostenere i creativi che fanno parte del mondo di FBF anche al di fuori dell’ etere. L’ evento si è recentemente tenuto presso una area speciale della White Suite, ubicata nel N-how Hotel di Milano, in Via Tortona 35, in cui sono state esposte le creazioni, abbigliamento e accessori, realizzati da quattro creativi: Little Shilpa, Gianni Serra, Giuliana Mancinelli Bonafaccia and Lucilla Paci.
Little Shilpa, photo by N
La brillante designer di cappelli Indiana Little Shilpa ha presentato per la prima volta in Italia la collezione di cappelli, papillon e gioielli da lei realizzati, pezzi unici che concretizzano felicemente un dialogo aperto tra l’ Occidente e l’ Oriente all’ insegna di surreali suggestioni artistiche artigianalità.
Little Shilpa, photo by Giorgio MiserendinoLittle Shilpa, photo by NLittle Shilpa, photo by NLittle Shilpa, photo by N
Sartorialità, un sofisticato minimalismo che si sovrappone con i paradigmi del costruttivismo, dando vita a una collezione di prêt â porter in cui splende una meravigliosa combinazione di pelle, tessuto e maglia è l’ alchimia creativa di Gianni Serra, brillante fashion designer (vincitore del Vogue Red Passion Talent Prize).
Gianni Serra, photo by NGianni Serra, photo by NGianni Serra, photo by N
Artigianalità, un insolita, unica e avveniristica tecnica di unire materiali quali argento, pietre preziose, pelle, carbonio è il leitmotiv di “Jack in the Pulpit”, la nuova, incantevole collezione – che si ispira all’ arte di Georgia O’ Keefe – della talentuosa designer di gioielli di Roma Giuliana Mancinelli Bonafaccia.
Giuliana Mancinelli Bonafaccia, photo by NGiuliana Mancinelli Bonafaccia, photo by NGiuliana Mancinelli Bonafaccia, photo by N
Suggestioni architettoniche sono impresse su raffinata pelle che si trasforma nelle formidabili borse, collane e bracciali realizzati a mano da Lucilla Paci, formidabili passé-partout.
Lucilla Paci wearing the collar and bracelets she made and Bette Bondo from the Marangoni Fashion School I was pleased to see again, photo by N
Un felice inizio di un esperienza nata per promuovere concretamente ed esporre la creatività, quella creatività orientata al concept, celebrata da questo blog.
Cesare Cunaccia and on the frame Romina Toscano along with some visitors and Giuliana Mancinelli Bonafaccia, photo by NThe jewelry designer Lucia Odescalchi and me
Angelos Bratis Spring/Summer 2014, photo by Giorgio Miserendino
Lightness becoming intelligible and sartorialism, open dialogue and dare between the creative and matter, the cloth, a continuous search which gives rise to new volumes and celebrates the silhouette and its dynamism. An aesthetic which pays homage to naturalness, fluidity, femininity and the classical lyrism of Graecism. These are the main features of the awesome Spring/Summer 2014 collection by Angelos Bratis, presented at the suggestive Sala delle Cariatidi of Palazzo Reale during the Milan Fashion Week. The fashion show of brilliant Greek fashion designer (winner of the talent-scouting award Who Is On Next), enriched by the choral music by Greek band Stereo nova, staged a refined ready to wear: pure lines, being essential and extremely polished at the same time where it shines the cult and sense of construction, light colors, wonderful shirts, precious shorts, silk, cotton and jersey and long goddess dresses emphasizing the natural beauty of body and its movements under the sign of freedom and consciousness. Dresses to think about that talk about the contemporary woman and her elegance.
MILAN FASHION WEEK: L’ INTELLEGIBILITÀ DELLA LEGGEREZZA DI ANGELOS BRATIS
Angelos Bratis Spring/Summer 2014, photo by Giorgio Miserendino
Leggerezza che diventa intellegibile e sartorialità, dialogo aperto e sfida tra il creativo e la materia, il tessuto, una continua ricerca che dà vita a nuovi volumi e celebra la silhouette e il suo dinamismo. Una estetica che omaggia la naturalezza, fluidità, femminilità e il lirismo classico della Grecità. Questi i principali protagonisti della splendida collezione primavera/estate 2014 di Angelos Bratis, presentata nella suggestiva Sala delle Cariatidi del Palazzo Reale durante la Milan Fashion Week. La sfilata del brillante fashion designer greco(vincitore del talent-scouting award Who Is On Next), arricchita dalle corali musiche della band greca Stereo Nova, ha messo in scena un raffinato pret â porter: linee pure, essenziali e al tempo stesso estremamente ricercate in cui splende il culto e il senso della costruzione, colori tenui, meravigliose camicie, preziosi shorts; seta, cotone, jersey e lunghi abiti da dea enfatizzano la naturale bellezza del corpo e dei suoi movimenti all’ insegna di libertà e consapevolezza. Abiti per pensare che parlano della donna contemporanea e della sua eleganza.
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The music ensemble featuring in the fashion show of Antonio Marras, photo by Giorgio Miserendino
Romanticism, the lightness of revolutionary ballet“La Sylphyde” (by Adolphe Nourrit), floral and landscape prints, a marvelous combination of materials as silk, rubber, leather, lace, chiffon and knit, enriched by precious decorations, pastel colors along with black, beige and white, volumes reinterpreting different decades – from early Nineties to the Fifties – of fashion history. are the alchemies featuring in the Spring/Summer 2014 collection by the bright fashion designer Antonio Marras, renowned creative who turns fashion into an artwork.
MILAN FASHION WEEK: LA ROMANTICA SYLPHIDE DI ANTONIO MARRAS
Antonio Marras Spring/Summer 2014, photo by Giorgio Miserendino
Romanticismo, la leggiadria del rivoluzionario balletto“La Sylphide” (di Adolphe Nourrit), stampe di fiori e paesaggi, una meravigliosa combinazioni di materiali quali seta, vinile, pelle, pizzo, chiffon e maglieria, arricchiti da preziose decorazioni, colori pastello unitamente a nero, beige e bianco, volume che reinterpretando differenti decadi – dai primi del Novecento agli anni Cinquanta – della storia della moda sono le alchimie protagoniste della collezione primavera/estate 2014 del brillante fashion designer Antonio Marras, rinomato creativo che trasforma la moda in un’ opera d’ arte.
Antonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Summer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras Spring/Sumer 2014, photo by Giorgio MiserendinoAntonio Marras, photo by Giorgio MiserendinoCesare Cunaccia, photo by Giorgio MiserendinoSimonetta Gianfelici at the backstage of Antonio Marras’ fashion show, photo by Giorgio Miserendino
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